Colored Girls Hustle Blog

Colored Girls Hustle provides handmade adornment, services & programming that affirms our bodies & encourages us to be our boldest selves. This Tumblr page is our blog. Be sure to check out our official website: www.ColoredGirlsHustle.com
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For mamas on mother’s day and everyday: Colored Girls Hustle thanks you! For every person who has mothered and mentored their own kids or someone else’s: thank you! #hustlehard

Image made with the Mama’s Day ecard generator, featuring artists representing all kinds of mamas! Make your own: http://mamasday.org/

And don’t forget to celebrate with yourself and the mothers you know with our new song “Mama” : http://youtu.be/SCkmA99PL0I

Check it! “Mama” :: new song from the Colored Girls Hustle mixtape released in time for Mother’s Day! Celebrating the people who have mothered us, alla the mamas in the world and the moms we wanna be. 

Featuring Taja Lindley, founder Colored Girls Hustle, and Audrey Hailes, dancer/artist/vocalist and all around talent. Original lyrics on “You’re All I Need” Method Man & Mary J. Blige instrumental. Share with alla the mamas you know! Lets celebrate mothers EVERYDAY.

——

Sing along!

Chorus:
Mamas plant the seed for who we be

1st Verse:
When I arrived it was 1985
Single Black mother struggling to survive
Working hard, round the clock, 365
Nights shifts, two jobs, just to get by

Raised me on her own — it wasn’t easy
I was outspoken, no respect for authority
Put me on punishment, I was mad sneaky
Watching TV
Talking shit, she couldn’t hear me
Even though we fight, we’re so alike:
Sun sign, unrefined, worrisome, OCD

She don’t easily accept defeat
Self-sacrifice: 
Went hungry so I could eat
The truth wasn’t sanitized
Mom in raw form, no disguise
No such thing as discreet 
Knowing everything makes childhood bittersweet

Not the best cook — always made frozen veggies
Packed my lunch. Couldn’t stand peanut butter jelly
At an early age, second grade
She schooled me
Sex education, pregnancy, STDs

Mama taught me how to be resilient
Self-reliant
Independent
Lessons ain’t over, we still learning
The past needs closure, healing is deserving

CHORUS

2nd Verse:
Everyday we giving thanks for mamas giving birth
Shaping life coming in this world headfirst
Doula of my dreams, mother-daughter team
God is a woman, center of the universe

Pregnant or parenting
They be shaping history
Cesarean, adoption, vaginal deliveries
Young, old, adult teen, something in-between
Single, dating, partnered, divorced or married
Grandmamas, aunties, and nannies
Transgender mommies
Queer led families
From margin to center, any race or gender
We celebrate every mother in our communities

Don’t get it twisted, she ain’t perfect
Human too, worthy of praise and worship
For her grind, contradictions and mistakes
Round like the Earth, she’s the core — gravitate

BRIDGE:
When I was a little girl
Taught me the whole wide world
And it was plain to see 
She was my destiny
With her I’d spend my time
I’d emulate my life
She sacrificed for me
Dedicated life to me

Verse 3
Mamas are hustlers, making hard choices
Buying food, paying bills with few resources
Pregnant moms are having babies, having abortions
Speaking truth to power with fists and raised voices

Head held high, Queen with a crown, 
She’s the truth — no lie, holds us down
For whatever, whenever, Family forever
Love is the glue, holds us together

Remember our April “On Her Hustle” interview with Tanya Fields of BLK Projek? She’s raising $15K for a veggie mobile market that will bring fresh food and community-led economic development to the South Bronx. She has raised almost 50% of her goal and has only two weeks left to raise the rest! Support her work by donating (every lil bit counts!) and sharing her fundraising campaign to your networks.

Holla at ya girls this weekend at the annual CLPP conference in Amherst, MA! We’ll be selling our adornment and our founder, Taja Lindley, is co-leading a performance workshop with Body Ecology.

will y'all be at the CLPP conference again this weekend?!
coloredgirlshustle coloredgirlshustle Said:

yes! we’ll be there! hope to see you there too!

“On Her Hustle” is a monthly series of interviews with women of color artists, entrepreneurs, healers and activists who hustle hard for our communities. Colored Girls Hustle uses this series to amplify the work, talent, and passions of other women and girls of color. Click here to read more about our series and to nominate someone to be interviewed.


This month we’re featuring Tanya Fields, fierce mama of four and the founder and Executive Director of the BLK Projek. Read her full interview below to learn how she hustles hard for food access, economic justice, and herself.

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Colored Girls Hustle: Tell us a about The BLK Projek. When and why did you start this organization? Why the name “The BLK Projek”?

Tanya Fields: The BLK Projek is an organization that looks to harness the power of the local, good food movement to create economic development opportunities for marginalized women and youth while simultaneously supporting local growers and creating an alternative food system in low-income communities.

In layman’s terms that means we get poor women and youth the tools to create food business that will create income for their families and better food options for the community. I started this organization as a low-income mother who started doing environmental work and found myself frustrated by my community’s tendency to stay stuck in reactive mode. I wanted to fight FOR something not always against something. I also had a child who was asthmatic developing food allergies and watched my own waistline expand and I couldn’t find decent food for either of us. Combine these things with an abundance of undeveloped land — food and urban agriculture seemed like right direction. I decided in 2009 that I wanted to concentrate my efforts on creating alternatives that could empower people as well as solve a relevant issue. I left my day job. It was the right time, it was a toxic environment and I could only concentrate on innovation, creation and justice from a place of love. It seemed like the perfect time. I started the incorporation process shortly after.

 

Colored Girls Hustle: What is the current programming of the The BLK Projek? What communities participate and benefit from this work?

Tanya Fields: The BLK ProjeK has two overarching programs: “Holistic Hood” which concentrates on base building, safe spaces where folks can come to engage and heal. I realized awhile ago that no matter how many hard skills you teach low-income, marginalized folks if you don’t take the time and care to address the trauma they have faced on a daily basis (and, mostly likely, generationally) then folks won’t be able to move on from the place they are in or even acknowledge that moving on is a possibility. Programs under that umbrella were Mommy and Me Yoga, Bronx Grub Meals, Free Acupuncture and community meetings.

“Healthy Hoods” is the economic development piece where we concentrate on incubating initiatives that will provide healthy food, support local growers and construct alternative food systems that put the people and the planet over profit and greed. Our two current campaigns are our South Bronx Mobile Market and the Libertad Urban Farm Proposal. The Libertad Urban Farm Proposal is a campaign to get an urban farm in the Longwood/Hunts Point section of the Bronx. The urban farm would serve as a safe, green, community space; a workforce development platform; and as an alternative way for community members to receive fresh, organic produce. We are working with another community group and the local councilwoman to negotiate a piece of city owned property in the community.  Our other campaign and by far our biggest is our South Bronx Mobile Market.

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Guerrilla farming in the South Bronx


Colored Girls Hustle: You just launched an Indiegogo campaign to raise money for a Veggie Mobile Market. How exciting! Tell us more about the Veggie Mobile and why this is important for the communities you serve.

Tanya Fields: I am so geeked for this mobile market. We have a beautifully painted former school bus that already has a great history. It was a tour bus for Climbing Poetree before it was donated to the VROOM Bus Collective. It is tricked out to run on used veggie oil. We are raising funds to take this bus and put solar panels on her, get her a transmission “transplant,” shelving and storage, appliances and additional equipment. Shoot, if we have enough we might put some rims on that joint! We will procure almost all of our produce from local growers both urban and rural. We will then sell in South Bronx communities accepting EBT and WIC as well. We will then work with folks like Wholeshare to create an online platform and procure nutritious value-added food not available in the hood. The first phase is to hustle up this money to do the bus retrofits and we are running an Indiegogo campaign for that. http://igg.me/at/southbronxmobilemarket/x/2793004

 

Colored Girls Hustle: In your video for your Indiegogo campaign you talk about the connection between community development and economic development. Your programming for the BLK ProjeK also exists at this intersection. Tell us more about why you believe these things are connected and can transform our communities.

Tanya Fields: I am not doing work with affluent folks, or ivy league folks or folks with tons of education. Many of the folks I am working with are like me: they are survivors and they are constantly overwhelmed with dueling and contradictory messages of excessive consumption and scarcity. “You don’t have enough that’s why your streets aren’t safe; BUY NEW JORDANS AND DR. JAYS!” Folks ain’t about to start spending time on things that they feel are not of priority. And in the minds of many of the folks here: as long as you have food you are good. Many of my folks are also on SNAP/food stamps so if folks are struggling, and if they are overwhelmed, then when we are organize, advocate and activate we also better be thinking about how to create initiatives or hook folks into initiatives that are going to help them thrive financially. If you working with low-income folks and you are not developing long-term economic strategies then you are just doing charity. I’m not about that life. The life I am about is empowerment and self-sufficiency.


Colored Girls Hustle: Tell us a bit about your hustle philosophy: What does the word “hustle” mean to you and how does it apply to your life and professional practice?

Tanya Fields: Hustle is about understanding that if opportunity doesn’t knock, fuck it and build your own house, walk through your own damned door. Hustle is resiliency and grinding. Understanding  that success is many times defined by who is wiling to take the most calculated risk the longest. For me my hustle is to be bold and courageous, to push others to be bold and courageous, and to work smart and hard. I also understand the hustle doesn’t mean I have to know everything and that I can’t do it alone. A successful hustle has a good network and a team of resourceful, supportive folks. When it comes to me personally, I constantly push myself outside of my comfort zones and try to be introspective. I want to remind myself even when I “fail” that there was a lesson to be learned and that tomorrow, if I am so blessed, is another opportunity for me to be a better version of who I was the day before.


Colored Girls Hustle: Describe yourself in 3 words.

Tanya Fields: Assertive. Resilient.Compassionate.

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Colored Girls Hustle: You were recently disinvited from a TEDx Manhattan’s Changing the Way We Eat conference. We were absolutely INSPIRED by how you chose to handle that situation publicly and transparently; and used that as an opportunity to create your own space. Tell us about how the situation transpired and about your independent event “Not Just Talk: Food in the South Bronx.”

Tanya Fields: Wow, that situation was BA-NEE-NEES! I have a link her to the EBONY.com article that covered what my friends are now calling “TanyaGate.” For more information about how the situation went down, folks can read my open letter. We have pictures up on our Facebook page documenting the Not Just Talk event.

 

Colored Girls Hustle: A lot of us on the grind and doing work on the ground in our communities often feel left out of larger, “mainstream” conversations and movement building work. What are some key lessons that you learned from the TEDx experience that you can share with others about how to handle rejection and marginalization?

Tanya Fields: That’s tough. I don’t know if I am still able to really “handle” it and I am not sure I want to. When I become desensitized to it is when I think it might be time for me to do something else because I don’t have it in me to fight anymore.

I think for me, it’s more about how not to operate from that place of pain and triggers and rage. I often seek to understand why I am being rejected and why I am being marginalized and to speak on it every time I see it. That doesn’t mean I have to have the process publicly but it means I acknowledge it, call out the oppression and then tap into my love for myself, for my children and their generation; acknowledge the sacrifices of the elders and fight from a place of love. It is also about knowing when to “surrender”, like when to say “fuck this” and realize every space don’t have to be for me. I have talents and gifts that can help me create a new space. That’s what the mobile market is about, that is what my event “Not Just Talk” was about. It was about me saying “fuck it” I can create an alternative for my folks that will feed us and pay us and celebrate us and allow us to flourish. 


Colored Girls Hustle: You’re a mother, an Executive Director, and active on social media, among other things. What are the ways you successfully manage your time and how do you prioritize self-care?

Tanya Fields: For me, getting through the day and doing one important thing is a successful use of my time. If I can feed my kids before 10pm, I have successfully used my time. And if I can take 30 minutes to have a meal and not answer an email or phone call, then I have successfully used my time. I made a choice to have 4 babies, shit is tough most days. When I made that decision I also decided I wouldn’t use them as the reason for me not to be as ambitious as I have always been. I want more kids believe it or not lol. I’m loco, I love being a mother and I reconciled with the fact I am living the life I want.

I like the craziness, I like the grind, I like deadlines and the constant ripping and running but I do get weary. I have days where I eat emotionally and where I give my kids cereal for dinner because I am too damn tired to make the nutritious meals I fight for. I used to get really stressed and then crash and burn. It was a vicious cycle. I started learning to forgive myself, realizing I didn’t have to do everything all the time. I am a human being. I may be ideologically a super woman but not literally. Black women think they have to take care of the whole world and we receive those messages everyday from our own folks and others. We have accepted martyrdom as part of our DNA. Shit, not me. That’s not my narrative. I have forgiven myself for being vulnerable and learned to ask for help and understanding. I don’t have to take on other people “stuff”. Therapy has helped tremendously, taking time to love my body has helped. Freeing myself from the shackles of a patriarchal and sexist view of sex and seeing motherhood as radical has liberated me. I make sugar scrubs and I tell my children that they have to take care of their own needs when I am in the bathroom scrubbing myself down. I explain to my older girls what it means for me to have this time and that our household is one of cooperation and that we all can take turns being the “leader”.

I also learned the power of “no”: saying no to opportunities that will stress me out, keep me from my kids and aren’t a priority. I also learned that when I felt like the walls were closing in on me because the kids were fighting or the house was a mess or I got a rejection letter for a proposal or a relationship wasn’t working out, to just STOP. To breathe, to put my hand over my heart and listen to my heartbeat. I started a shrine to my great-great-grandparents and offer them water and light. I talk to them. I learned the power of ritual.  Once, I liberated myself from this idea that I needed to be everything all the time and that I needed to “win” everyday, self-care got easy.

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Tanya Fields is a food justice activist, public speaker, educator, food enthusiast, sometimes blogger, fierce mama bear of four precocious children and the founder and executive director of the BLK Projek. She is currently raising funds to start a mobile market in the South Bronx. In her spare time she updates a food blog called Mama’s Kitchen From Scratch and does a cooking demo workshop called Fab Food on a Food Stamp Budget. You can find her on Twitter and Facebook.


We’re embarking on new journeys: filming our first official video from our forthcoming mixtape… and we’re looking for extras! We need people for our rooftop party scene. Come dressed as your best afrofuturistic self! Colorful attire is encouraged!

Tuesday April 9th
Call time: 8:40pm (please, be punctual)
End time: 11:00pm
Location: Brooklyn, NY. Exact address confirmed upon RSVP.

Send a profile picture or headshot and your full name to RSVP@ColoredGirlsHustle.com

Spread the word!

Come catch us at this event on Saturday April 6th! It’s free! We’ll be vending.

“On Her Hustle” is a monthly series of interviews with women of color artists, entrepreneurs, healers and activists who hustle hard for our communities. Colored Girls Hustle uses this series to amplify the work, talent, and passions of other women and girls of color. Click here to read more about our series and to nominate someone to be interviewed.

For women’s history month we are featuring Kathleen Adams, the co-founder of an amazing women-centered and empowering space: Momma’s Hip Hop Kitchen. Read her full interview below to learn about how she uses hip-hop and reproductive justice to hustle hard for women and girls.


Colored Girls Hustle: Tell us about Momma’s Hip Hop Kitchen: How and why did you co-create MHHK? And what does MHHK do the rest of the year?

Kathleen: Momma’s Hip Hop Kitchen came about through my business partner’s (Lah Tere) as well as my own love of hip hop and women’s issues. I love going to concerts and shows and I felt like women were always singing the hook for songs or were background singers. I wanted to create a platform for women to perform and take center stage. I also wanted this environment to be a place where we could shine a light on HIV/AIDS and reproductive justice issues. This year with MHHK we are hoping to encourage the community to get involved to lower the achievement gaps in our schools and also to advocate for comprehensive sex education in all schools! Besides our annual event, MHHK participates in workshops within the community and also does college tours. This year, we are hoping to put on smaller events within the community!

Lah Tere and Kathleen at the MHHK 2013  

Colored Girls Hustle: Why the name “Momma’s Hip Hop Kitchen”?

Kathleen: It’s called Momma’s Hip Hop Kitchen because women congregate in the kitchen to talk about ideas, thoughts, etc… We create a metaphorical kitchen with our events so women can feel comfortable speaking their minds through their performances.

Colored Girls Hustle: Tell us a bit about this year’s event: why “Knowledge is Power” as the theme? How did it all turn out?

Kathleen: This year’s theme is “Knowledge is Power” because we want to honor Hostos Community College’s 45th anniversary of excellence in higher education and cultural preservation. The theme is also “Knowledge is Power” because we are advocating for smaller class sizes, the closing of the achievement gap between the rich and the poor, and a more comprehensive sexual education curriculum.

MHHK 2013 performers

Colored Girls Hustle: Lets talk about the artists you featured this year and in the past: how have their individual art forms contributed to the MHHK mission and vision?

Kathleen: Over the past 6 years, we have featured hundreds of artists in our events. One artist in particular, NeNe Ali is a 15-year-old spoken-word poet who is the only artist who has been with us since Vol. 1. NeNe Ali’s spoken word poetry has contributed to the mission and vision of MHHK by inspiring other women, young and old to be fearless and showcase their art to the public. 

DJ Jasmine Solano is an inspiration to our audience. She has been able to gain the attention of mainstream media by going on tour with Wiz Khalifa and through her hit song “That’s Not It” featured on MTVU.

DJ Jasmine Solano at MHHK 2013

Colored Girls Hustle: How does MHHK view the current status of hip hop in general, its relationship to women and its impact (potential and actual) on issues concerning women?

Kathleen: To this day, Momma’s Hip Hop Kitchen still views women, especially women of color in hip hop as in a state of emergency! Through our events we aim to educate, include, and empower women on issues surrounding their life. All of our events, not matter what the specific focus is of the year, incorporates a reproductive justice framework—the right to be a parent, the right not to be a parent, and the right to parenting your child. I know for a fact that we’ve had a major impact on the communities we work with because women have come up to us after our events and talked about how they have changed their lives in terms of eating habits (the year we spoke about healthy eating), and how some have left abusive relationships because they got the courage from attending our events!

Colored Girls Hustle: What is MHHK’s definition of hip-hop feminism?

Kathleen: MHHK’s definition of hip-hop feminism is pretty broad and holistic. We believe that once women are in complete control of their bodies, then they will be able to healthy decisions for their families and their communities. To be a feminist in the world of hip hop, you must be in control of yourself and in control of your music.

 

Colored Girls Hustle: MHHK always has lots of community support. How do the tablers and vendors add to the overall MHHK experience?

Kathleen: The tablers and vendors add an extra dimension to our event! Our attendees are able to purchase goods from local vendors and also obtain free confidential HIV and STI testing from our tablers. The tablers and vendors are like our family. We always look forward to seeing familiar faces at our event, year after year from the tablers.


Colored Girls Hustle: How do you define “hustle” and how do you “hustle hard” for women and girls?

Kathleen: My definition of “hustle” is TCBing (Taking Care of Business). If you TCB, that means you are always on your grind and will be successful! I “hustle hard” for women and girls because I always make sure my actions positively influence my community.

 

Colored Girls Hustle: Describe yourself in three words.

Kathleen: Explore Creative, hard-working, ambitious

 

Colored Girls Hustle: You wear a lot of hats and are involved in a lot of different organizations. How do you prioritize self-care and effectively manage your time?

Kathleen: I feel like I don’t sleep! For me, staying busy helps me stay focused. I make sure that in whatever I am doing, that I am happy. As long as I am happy I don’t mind being busy! I make sure to take long vacations and explore the world—that is how I stay sane! I also am good a delegating tasks to others so that I am not in charge of projects completely on my own. This method allows me to be involved in multiple projects at once, but also allows me to share project responsibilities with others!

 

Kathleen Adams is the co-founder of Momma’s Hip Hop Kitchen, a multifaceted hip hop event designed to showcase women artists, especially women of color. Kathleen’s passion in life is with organizing around reproductive justice and HIV/AIDS issues. To learn more about Momma’s Hip Hop Kitchen you can visit their website, Facebook or twitter.

nicole-clark:

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The New York City Human Resources Administration recently launched “Think Being a Teen Parent Won’t Cost You?”, a teen pregnancy prevention campaign aimed to curb the rates of teen pregnancy in New York City. My initial reaction to the ad campaign, was “Wasn’t there a new report announced last month that teen pregnancy rates in New York City has fallen considerably? Are these ads in connection with that, in order to decrease the rates even more? Also, why is this campaign developed by the Human Resources Administration and not, say, the Department of Health, especially given the difficulties many households in New York City have in even accessing resources from the HRA?”

According to the New York City Office of the Mayor, more than 20,000 teens in New York City become pregnant each year. While this sounds like a lot, the New York City Department of Health recently released data showing that teen pregnancy rates have steadily declined by 27% over the last 10 years. A key reason? Access to condoms, birth control, and emergency contraception. The city has recognized the steep cost of gaining access to birth control, and by increasing access to birth control in schools (and instituting a mandated comprehensive sex education curriculum) teens are more likely to utilize birth control options. Another key reason for the decline of the teen pregnancy rate in New York City: Support from New York City parents. 

So, why does “Think Being a Teen Parent Won’t Cost You?” have the potential to impede the efforts the city has made with reducing teen pregnancy rates?

Read More

Last week was busy for Colored Girls Hustle! Here’s what we’ve been up to…

On Sunday we kicked off our week with our winter Self-Love Party at the Museum of Women’s Resistance. Special thanks to our instructor A. Dusky Magdalene for showing us how to make and shake tassel-twirling pasties! And a huge thank-you to Eve’s Garden for sponsoring a OhMiBod 2.OH vibrator raffle. Check out photos on our Facebook page and Flickr. Stay tuned for the spring Self-Love Party! Sign up for our newsletter to hear about it first. (P.S. did you see the write up about the Self-Love Party in the Brooklyn Paper?)


On Wednesday we released our All Gold Everything parody, the latest song from the forthcoming Colored Girls Hustle mixtape. In less than a week we’ve received over 1,000 views! Have you seen it yet?! Be sure to watch and share it with your people (friends, family, lovers, students, coworkers, etc). Colored girls who hustle hard is a movement.

On Friday, our radical sisters at the Crunk Feminist Collective published an insightful article about the sexual politics of hip hop. They gave us shout out for our All Gold Everything video as an example of the creative and feminist ways we engage with hip hop.

Later than night our founder, Taja Lindley, was interviewed in WBAI’s Rise Up Radio show in NYC, a collective radio show by and for youth activists. Taja spoke about the founding of Colored Girls Hustle, the importance of collaborative economics and why women and girls of color are her priority. You can listen to the archived show online, dated March 1st 2013. Her interview begins at 32:48.

Then on Saturday we closed out the week at Momma’s Hip Hop Kitchen (MHHK) in the Bronx! Folks showed us a lot of love and we are so thankful.

You probably already know: we have an epic clearance sale going on to clear space for new products. Many of our Luminary Sol 2012 adornment will be discontinued, including items that are not on sale. Get them while supplies last! Some of our pieces sold out at MHHK on Saturday. Don’t miss out! Visit our Etsy shop to get your favorite adornment before it’s gone!

elixherfix:

ELIXHER is an award-winning online destination for Black lesbian, bisexual, transgender and queer women. We are committed to making ELIXHER self-sustainable. Donate to our campaign here: indiegogo.com/projects/elixher-magazine.

(via tajalindley)

crunkfeministcollective:

By CFs Moya and Whitney

We’d initially planned to post this the monday after the Oscars but other things were more pressing.

*Trigger Warning for expletives, misogyny, and violent lyrics*

Side by side image of Emmett Till and Lil Wayne with the words

Courtesy of FAAN Mail

In the remix to Future’s Karate Chop, Lil Wayne sings the “very unfortunate” (really, Fader?) lyric that compares sex to the beating of Emmett Till.

Pop a lot of pain pill’

‘bout to put rims on my skateboard wheel’

beat that pussy up like Emmett Till

“I just couldn’t understand how he could compare the gateway to life to the brutality and punishment of death,” said Aricka Gordon Taylor, Spokesperson from the Till Family. We can though. It’s happened before, from Wayne, and friends.

People are mad. Real mad. They’re even talking about it on the radio here in Atlanta, while simultaneously continuing to play the song with Emmett Till bleeped out. Folks are calling for a boycott of Clear Channel and the removal of the song from the airwaves. There’s Twitter activism in motion as well from Dream Hampton to shame LA Reid (who should be shamed, for this and more) because he should know better. Epic, Future’s label not Wayne’s, has apologized saying that this lyric won’t appear on the final version of the song and the Family has written an open letter to Wayne.

We understand why folks are mad and in no way want to diminish this important call to action. One of the things Moya hated about other media activism she’s been involved in is the question, “why you mad about this and why now?” We want to think about these lyrics in the context of calls by feminists of color to interrogate the problems of violent sex metaphors before the name of a slain civil rights icon was invoked. With this in mind, we want to add some thoughts to the growing conversation.

1. We need intergenerational conversations- “beating the pussy up” is a hip hop metaphor for sex that’s not new. We need and have been trying to have a conversation about the violence this metaphor (and others) conjures but folks using it don’t understand themselves to be talking about intimate partner violence when they use it. It is used by men and women to describe sexual prowess, not violence, despite its employment of the violence of “beating”. In reading the framing of the outrage we see elders taking issue with Till being compared to the “anatomy of a woman” and “domestic violence.” That’s not quite what’s happening and we wonder if intergenerational strategies can help alleviate some of these misreadings. Rather than domestic violence, perhaps we can shift our frame to think about sexualized violence and violent sexualities more broadly, which, to be clear, are not always practiced in the context of traditional understandings of intimate partner violence or under duress or coercion.  Patricia Hill-Collins already hipped us to the violence that undergirds many discussions of black sexual prowess in her incisive reading of black colloquial usage of the term “booty” and it dual meaning/invocation as both the spoils of war and conquest (i.e. violence) and as the long standing icon of black women’s sexual desirability.  Too much connection to be coincidental, no?  This framework might allow us to see how violent sexual prowess acted out on the bodies of women of color is a staple of hip hop and popular culture more generally.  The issue is not just the ill-informed invocation of Till’s brutal murder but the normalization of brutality acted on women’s bodies.

Additionally, what does bleeping out words on the radio do? Particularly when it’s part of a rhyme scheme? The absurdity of radio editing is just more than we can fathom sometimes. You want to protect children from hearing the words “Emmett Till” and “pussy” but not the “beating up” they are used in conjunction with?  Not to mention any other songs that have other violent metaphors that don’t have curse words in them that are perfectly fine for radio play. Can we talk to children as opposed to shielding them from certain words? Why are words bleepable but problematic concepts aren’t under review?

2. Is it because it’s Emmett Till? Perhaps we are bugging but doesn’t it disturb people that sex= “beating the pussy up” in the hip hop landscape already? Like “beating the pussy up” is only offensive insofar as Emmett Till is implicated through Wayne’s simile? In no way are we excusing this lyric but it’s interesting to us that the invocation of Till seems to move people in ways that regular misogynoir does not. Perhaps it’s because folks understand the dangers of the US’ ahistorical forgetting, a result of which is that many younger folks might not even know who Emmett Till is (even MTV had to assume the ignorance of their young audience when they first reported the fiasco). What a shame for those who will first come to know of Till through Wayne’s verse.  Yet, what shame for us all that we are yet again confronted with violence to women bodies and our outrage seems limited only to the context of its description.   We are not surprised by the lyric as it seems to follow the logic of “shock” that we see in verses by Wayne, Odd Future and others. Perhaps this outrage is a way to capitalize on people’s reverence for the freedom struggles of Black people but it makes us incredibly sad that the most women can hope for are comparative politics that attempt to equate our humanity to someone elses for it be understood as valuable. I shouldn’t have to be your sister, mother, cousin, daughter, Emmett Till for you to care when I say your words grate on people’s understanding of me as a person.

3. We don’t like the way people apologize for their critiques of hip hop and hip hop artists. We are conscious of the ways hip hop is denigrated but shouldn’t our work and carefully crafted statements be enough for folks to understand that a critique here is not a wholesale condemnation of the genre? We too find some of Wayne’s lyricism captivating but we shouldn’t have to say that before we say, “Dude, WTF?!” In the radio interview speakers go out of their way to talk about their critiques coming from a place of love and not from a place hate (while simultaneously calling the music poison; y’all should listen to this; there are layers). It reminds us a bit of what we are attempting to do with Feminist Care Packages. But it does make us wonder what do you do when you’ve said it all? When you’ve tried to remind people of your humanity and the humanity of other marginalized people and folks refuse to listen? Are there limits to the strategy of affirming before a critique is levied? Does that help artists hear their audience better?

We recognized that Hip Hop gets singled out for misogyny. But as Seth McFarlane, The Onion, and many others have let us know, white folks can handle that all by themselves.

4. Can we talk about what else is happening in these lyrics? Hip Hop’s love affair with weed isn’t news nor is its relationship to crack as means of commerce. However, the types of drugs referenced are changing – We’ve moved from Mary Jane to Molly, crake to codeine.   Where is the collective concern over these new narratives of addiction and the ways in which they might point to depression, PTSD, apathy, nihilism, etc.? Recreational drug use seems to be replaced with self medicating and binge activities. Moya is looking at some of these questions in her work on nihilism in the music and the ways in which Black mental health concerns are prevalent but go unacknowledged. In Wayne’s latest track, “pussy, money, weed, codeine” are rattled off as equivalent substances, raising more questions about the reduction of women to anatomy and object, consumable goods for self medicated consumption.

What do you think about this moment in music? What questions do you bring to the conversation?

We are always interested in the creative ways that hip hop fa(a)ns engage the music they love. Check out the latest such engagement from our friends at Colored Girls Hustle, with their version of All Gold Everything.

(via tajalindley)

howtobeafuckinglady:

BLACK QUEENS 

(via wayblackwhen)

lordbyronsbloomers:

Women’s History Month: March 3, Warsan Shire


Warsan Shire is a London-based, Kenyan-born, Somali writer whose powerful poetry has left me blown away each time I read it. In her book of poetry “Teaching My Mother How to Give Birth” Shire explores the relationship of women’s bodies to war and displacement. 

Some of my favorite poems by Shire are “I’m Not Sad” and “For Women Who Are Difficult to Love.”

Check out this interview if you’d like to learn more. If you’re a writer or  poet or someone who just enjoys being knocked off your feet by words, read all the poetry!

“If our secrets are secrets because we are told to be ashamed, then we must share them.”

(via vanillaandlavender)